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O somma luce

6.9

类型：战争地区：中国大陆年份：2013 语言：中字

主演：/Giorgio Passerone/

导演：金小燕,卡拉·欧提兹,Harry Kirkham

上次更新：2025-01-09 07:21:26

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剧情介绍

《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 详情

影片评论

所谓前夜:刚刚

男藤井树转学前拜托女藤井树代还的书是《追忆似水年华》（卷七重现的时光），书名好像暗示着二人仓促的别离，这本书中暗藏的秘密，命中注定般留在了过往的岁月中。
听雨问雪:2分钟前

4风格原作漫画的风格更贴近于神秘感和心理战式的剧情风格，而电影则突出的是完全强烈的恐怖感。
陳大伎:7分钟前

戏子的表面身份是浓墨重彩的戏子，实际身份则是个机械专家，特别懂枪、炮、地雷、炸弹，把所有的枪支都玩得特别明白。
安厦万间:3分钟前

此外，影片还奉上大量凌厉的飙车镜头，高速公路及机场跑道上毁灭性破坏力的汽车大战，以及拳拳到肉的真实格斗，带给人冲击特别大。
哀伤止步:8分钟前

虽然故事的主线相对简单，人物塑造有点像主人公的光环，但作为一部功夫电影，其完成度和视听表现仍然代表了近年来中国电影的最佳水平。
卫毕咫:2小时前

永元十四年，阴皇后巫蛊事发，乾从兄奉以后舅被诛，乾从坐，国除。
戊于:8小时前

截止发稿时，风叔居住的这个城市，没有一家影院在1月13日排了正式公映的。
月照长暮:小时前

在我看来，与剧中的男主张格莱相比，我们大多数人都要比他幸运的多，既然张格莱能坚持下去，从一个职场的门外汉变成职场的中坚力量，那我们没有理由不做到这一点。
纸上诺言:3小时前

有一天，猪妈妈对小猪说：“现在，你们已经长大了，应该学一些本领。你们各自去盖一间房子吧！”
拾柒:1天前

爱德华从维多利亚的思想里知道了维多利亚一开始就没有准备去空地参加战斗，而是在寻找爱德华，因为她知道贝拉一定会跟爱德华在一起，而除掉贝拉是她报仇的计划。